Sophie Ryder, born in 1963 in London, stands out as a British sculptor, renowned for her imposing wire mesh structures. She employs various materials such as bronze, plaster, metal, marble, and stained glass. After beginning her studies in visual arts at the Royal Academy of Arts in 1981, she turned to sculpture under the encouragement of Sir Hugh Casson, then director.

Her sculptures merge mythological creatures and hybrid forms, notably in works such as "Minotaur and Hare on a Bench" at Canary Wharf. The "Lady Hare," representing a female-shaped hare, is among her most famous creations, evoking the Minotaur from ancient mythology. Her art questions our relationship to the natural and mythical worlds, exploring the dualities of perception.

Ryder describes her creative process as spontaneous: "I don't plan; ideas constantly come to me." She explains that the recurring presence of hares in her work stems from her passion for sculpture, inspired by her dog's discoveries.

Sophie Ryder's work fuels artistic dialogue by blurring the boundaries between reality and fantasy.